Langsung ke konten utama

The Beatles vs Radiohead

So let us review...this week the Beatles' remastered albums were reissued and reviewed by Pitchfork, who rated them as follows:

1963 Please Please Me 9.5
1963 With the Beatles 8.8
1964 A Hard Day’s Night 9.7
1964 Beatles for Sale 9.3
1965 Help! 9.2
1965 Rubber Soul 10.0
1966 Revolver 10.0
1967 Sgt Pepper’s Lonely Hearts Club Band 10.0
1967 Magical Mystery Tour 10.0
1968 The Beatles (the white album) 10.0
1969 Yellow Submarine 6.2
1969 Abbey Road 10.0
1970 Let It Be 9.1

Compare these numbers to the numbers for Radiohead, the most critically acclaimed band of the last 15 years:

1993 Pablo Honey 5.4
1995 The Bends 10.0
1997 OK Computer 10.0
2000 Kid A 10.0
2001 Amnesiac 9.5
2003 Hail to the Thief 8.6
2007 In Rainbows 9.7

In their 8 years of recording together, the Beatles put out 12 studio albums (not including the soundtrack to Yellow Submarine, which Pitchfork rightfully calls the "only minor album" of their career), including the double white album. They released at least one album every one of those years, and most years they released TWO. In contrast, in 18 years of recording, Radiohead have put out just seven studio albums, and no doubles.

Now I love me some Radiohead, but there is no overestimating the significance of the Beatles' catalog on popular music.

Of course there is a major difference between the bands. After 1965, the Beatles were strictly a studio outfit. They did not tour or perform live at all (except for that rooftop last-gasp thing), which gave them lots of time to write and record. Bands can no longer pull this off and are now forced to tour relentlessly, as recorded music is something most people don't pay for anymore.

Komentar

Postingan populer dari blog ini

REM on the Colbert Report - Supernatural Superserious

On Wednesday night, for the first time ever, Stephen Colbert had a band on the show, and he started right at the top with my beloved REM. Above, watch them tear through the lead single off Accelerate, Supernatural Superserious, the one that "sounds like REM" complete with jangly guitars, Mike Mills' sweet backing vocals, and muscular drumming for the first time since Bill left, courtesy of Bill Rieflin from industrial metal band Ministry (superseriously). Sure, Pitchfork will smirk "REM can write a song (like this) in their collective sleep" (instantly catchy, viscerally empathic--"now there's nothing dark and there's nothing weird/don't be afraid i will hold you near"--, unmistakably REM) but that doesn't make it any less great. Also check out Stephen's interview , it's hilarious (Colbert asking Peter "How much mandolin is on this record?"). I'm so happy for REM everybody's liking Accelerate . As Colbert as...

The Baseball Project - Past Time

Now here's something completely different--apparently Scott McCaughey (of Young Fresh Fellows, The Minus 5, Tuatara, REM, The Venus 3 and God knows how many other bands), and Scott Wynn (frontman of the excellent 80s band The Dream Syndicate, who I saw open for REM in 1984) got ripped together at REM's Hall of Fame induction last year and talked baseball all night. Here's how Wynn remembers it, from the band's myspace page: Everyone was happy. The wine was flowing, the food was incredible and spring training had just started. Scott and I talked baseball until most of the party guests had cleared out. And we actually remembered it the next day. That drunken convo turned into The Baseball Project , which also features REM's Peter Buck (who's in at least six bands I can think of) and Wynn's drummer of ten years (and recent wife) Linda Pitmon. This is a delightful song for anyone with a love of baseball. They name check a ton of players from the 60s and 70s. Who...